To be or not, this is the problem: whether it is nobler to bear the soul insults, the slings and arrows of iniquity fortune, Or to take arms against a sea of \u200b\u200btroubles fighting and disperse them. (Hamlet: Act III - Scene I).
The many forms that human take the mind and soul are in Hamlet and you are composed. We are many, we are different, many different within ourselves but also on the share, in the feeling, we find the balance of a new force that unites us and adds: the draft.
be or not to be community? Being able to share an idea, cultivate it, shape it and innovate but also from within, or not be common home builders. Being able to put aside grandstanding and personal body or may not be unique and widespread force that aggregates, and involves emotional, or not community. be forward-looking and conservative at the same time, traditional liberals, be aware that the service burden and privilege, or may not be guide and reference for the community. Being so early actors but not first women, or not be sensitive to the essence, the soul of the theater, perception that goes beyond the expression.
Tune the action to the word, the word to the action: - making sure, particularly, not exceed the extent or the limits of naturalness, which is contrary to overdo the vocation of theater, of which the aim has always been and is to extend, it seems, a mirror up to nature to show virtue her own form, to vice its precise image (Hamlet: Act III - II second ).
Scenaperta community wants to be on this drive was born. Being ScenAperta means to participate in the circuit and interpret in his capacity true center for culture and for the show acting alongside and service to the surrounding territory and is, means offering new artistic projects and new organizational forms valued collectively at the shareholders' common and individual - town by town - in a direct relationship with the organizers and the public.
Forgive my virtue, already! - In these times and obese Bolsa is the virtue in having apologize to the defect, just like that: on his knees and ask permission to benefit him. (Hamlet: Act III - Scene IV).
Carlo Grassi
Direttore Organizzativo circuito ScenAperta
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