Italian theater is not doing well, no point in pretending. The real risk for thousands of years this art is to be relegated to the margins , in the niche of a language hours harmless, even quaint hours. And often, unfortunately, having to deal with the difficult economic contingencies, many think that sacrificing the theater for the benefit of some sub-brand of live entertainment is a good idea.
Viceversa, le amministrazioni pubbliche che credono nel progetto di circuito di ScenAperta - il primo e il più autorevole sistema di rete teatrale lombarda - testimoniano con forza il senso della cultura come servizio pubblico: la capacità di coniugare qualità e intrattenimento senza compromessi, senza scadere nel succedaneo teatrale, e rilanciando la posta in gioco, in questa stagione 2010/2011, con un cartellone ancora più ricco di grande prosa, di teatro ragazzi e di eventi speciali dal taglio scientifico.
Il teatro è vita, e la vita è teatro, non è possible to remove the prose the strong bond with the meaning of our existence. We, in this, we strongly believe it is why the bill of the new season of Polo dell'Altomilanese Theatre offers - once again for the eleventh consecutive year - the best prose of the National without compromise, with a route between some of the best directors of the "middle generation" (Tiezzi, Malosti, Dall'Aglio, moss), with a fascinating journey of classics (from Shakespeare to Moliere to Pirandello) until the
contemporary drama and comedy. Faced with closures systematic and systemic issues that are opposed to theater projects that do not come to terms with the qualitative, we try to choose the path of recovery, with content richer, more solid, more authoritative. With this broad , aware of our heritage, we feel ready to face the difficult challenge of reading the contemporary theater.
Paul Bignamini
Artistic Director circuit ScenAperta
0 comments:
Post a Comment