Seeing is a creative act
When I arrived, after the steep climb to the top where the path starts in the chapels of Sacro Monte di Varallo, I felt a strange feeling in my heart, of calm and peace, as not heard in a long time. I realized right away that the place was where I was almost out of the world, isolated from everything that is outside, but also simultaneously in the world because it is, is part of it, and because when you get this piece of reality, you come with your entire self, bringing with him (and in) everything is outside.
I find a comparison with the words of Eliot in Choruses from the Rock, says:
" Then came, in a predetermined time, a mo-ment time and time
A moment not out of time, but over time, what we call history: section,
bisecting the world of time, a moment in time but not as a moment of time,
A moment in time but time was made through that moment: for without the meaning there is no time, and that moment of time gave the meaning. "
So even the holy mountain is so, as Eliot says. Perhaps because it speaks of the Sacred Mountain is just this moment.
The only thing certain is that the Holy Mountain was created by that time and was made for man, perhaps because of the need that in my heart.
Before it I thought the Sacro Monte knew a bit 'old, was something old, since Gaudenzio Ferrari did five hundred years ago in response to the desire of those people, even including them in his work.
Who could imagine that if I felt the Holy Mountain so close to me?
When every day I always need something stronger and I feel closer to the edge of an abyss, by which time the world has changed rispetto a cinquecento anni fa,
“ La Chiesa ripudiata, la torre abbattuta, le campane capo­volte, cosa possiamo fare
Se non restare con le mani vuote e le palme aperte rivolte verso l’alto
In un’età che avanza all’indietro, progressivamente?” (Eliot, Cori da La Rocca)
Ma anche io, anche l’uomo è cambiato rispetto alle people who lived around Gaudenzio?
My desire is the same as theirs?
When I'm finally in front of the chapel, after waiting for this moment and trying to imagine how they were made and the reaction I'd get in front of them, that's the unthinkable happens.
Gaudenzio, when he made the caps, he thought of me, I'm sure.
He has done for me.
Look, I finally feel I belong to that great story of Man, which I have always wanted to belong.
I am there with them and with him, hear me declaim in the courts, when they turn break the darkness with the light of my flashlight, focusing on Christ, the center of history.
I am moved at different times of the journey, the ascent to Calvary, where the crowd is too much, he falls and cover it, and it's hard glimpse among the people. When is there on the Cross, the broken body and suffering, and I am there with him. Then the deposition, and his body, white and delicate as porcelain, the skin is no longer marked, as if it was already risen, it is removed gently from the cross, in an act of pure affection and prayer.
And perhaps the most beautiful thing, when I was there, was when I drew Jesus in the courts, when I realized that the grates that close the chapels are not an impediment but an integral part of the work, which forces you to catapult into the scene.
When I took my watercolors out of the bag, I quickly found the location ideal for work: I was kneeling on the step attached to the grate, and my face perfectly coincided with the opening in it.
's why holes in the grate, to see inside, they are so low.
am here kneeling at the back of Jesus, tried by Caiaphas, and design, to hold this time, to make my world to become: this attimo è stato, forse, la preghiera più bella e vera che io abbia mai detto.
Mi commuovo di fronte a questo dono che Dio mi ha fatto attraverso le mani di Gaudenzio, che, ormai, è un mio caro amico, perché abbiamo qualcosa in comune, lo stesso desiderio e lo stesso bisogno di diventare testimoni della vita di Cristo.
Ora posso veramente dirvelo: io ho incontrato Cristo.
NERVIANO - There could be more spectacle "guessed" for the opening of the winter season of Scenaperta, the exhibition of theatrical dell'Altomilanese pole. The work, irreverent, showcased men who play women in Elizabethan style, including complicity and rivalry. "The proposals in our area are contained in the circuit Scenaperta quality" debuted Henry Cozzi, Mayor of Nerviano. "We want to work near the scene of high level and be less milanocentrici: continued. 
(da www.assesempione.info)
Enzo Mari
Italian theater is not doing well, no point in pretending. The real risk for thousands of years this art is to be relegated to the margins , in the niche of a language hours harmless, even quaint hours. And often, unfortunately, having to deal with the difficult economic contingencies, many think that sacrificing the theater for the benefit of some sub-brand of live entertainment is a good idea.
Viceversa, le amministrazioni pubbliche che credono nel progetto di circuito di ScenAperta - il primo e il più autorevole sistema di rete teatrale lombarda - testimoniano con forza il senso della cultura come servizio pubblico: la capacità di coniugare qualità e intrattenimento senza compromessi, senza scadere nel succedaneo teatrale, e rilanciando la posta in gioco, in questa stagione 2010/2011, con un cartellone ancora più ricco di grande prosa, di teatro ragazzi e di eventi speciali dal taglio scientifico.
Il teatro è vita, e la vita è teatro, non è possible to remove the prose the strong bond with the meaning of our existence. We, in this, we strongly believe it is why the bill of the new season of Polo dell'Altomilanese Theatre offers - once again for the eleventh consecutive year - the best prose of the National without compromise, with a route between some of the best directors of the "middle generation" (Tiezzi, Malosti, Dall'Aglio, moss), with a fascinating journey of classics (from Shakespeare to Moliere to Pirandello) until the
contemporary drama and comedy. Faced with closures systematic and systemic issues that are opposed to theater projects that do not come to terms with the qualitative, we try to choose the path of recovery, with content richer, more solid, more authoritative. With this broad , aware of our heritage, we feel ready to face the difficult challenge of reading the contemporary theater.
Paul Bignamini
Artistic Director circuit ScenAperta
To be or not, this is the problem: whether it is nobler to bear the soul insults, the slings and arrows of iniquity fortune, Or to take arms against a sea of \u200b\u200btroubles fighting and disperse them. (Hamlet: Act III - Scene I).
The many forms that human take the mind and soul are in Hamlet and you are composed. We are many, we are different, many different within ourselves but also on the share, in the feeling, we find the balance of a new force that unites us and adds: the draft.
be or not to be community? Being able to share an idea, cultivate it, shape it and innovate but also from within, or not be common home builders. Being able to put aside grandstanding and personal body or may not be unique and widespread force that aggregates, and involves emotional, or not community. be forward-looking and conservative at the same time, traditional liberals, be aware that the service burden and privilege, or may not be guide and reference for the community. Being so early actors but not first women, or not be sensitive to the essence, the soul of the theater, perception that goes beyond the expression.
Tune the action to the word, the word to the action: - making sure, particularly, not exceed the extent or the limits of naturalness, which is contrary to overdo the vocation of theater, of which the aim has always been and is to extend, it seems, a mirror up to nature to show virtue her own form, to vice its precise image (Hamlet: Act III - II second ).
Scenaperta community wants to be on this drive was born. Being ScenAperta means to participate in the circuit and interpret in his capacity true center for culture and for the show acting alongside and service to the surrounding territory and is, means offering new artistic projects and new organizational forms valued collectively at the shareholders' common and individual - town by town - in a direct relationship with the organizers and the public.
Forgive my virtue, already! - In these times and obese Bolsa is the virtue in having apologize to the defect, just like that: on his knees and ask permission to benefit him. (Hamlet: Act III - Scene IV).
Carlo Grassi
Direttore Organizzativo circuito ScenAperta
ScenAperta giunge al suo undicesimo anno di vita. Questo longevo circuito, fondato e costituito dalle amministrazioni comunali, offre un servizio di consulenza continua, insieme agli enti pensa un progetto di teatro, musica e attività culturali e ne segue l'organizzazione pratica. Con una ventina di eventi nella Winter season is about to begin, and at least that many in the summer just passed, with projects of regional significance and supported by Fondazione Cariplo Province of Milan, productions and co-productions on the bill in main theaters Lombard and Italian, is a ScenAperta reality that has the numbers to represent the cultural offer of territory. Starting from this new program, actively involving high schools of the area, we have activated a scambio che rappresenta una delle strade credibili per rilanciare il teatro nella società. Condividere con gli insegnanti l’individuazione
delle tematiche dello spettacolo, sapere parlare a un pubblico giovane con progetti integrati, dalla scuola di recitazione Teatri Possibili - ScenAperta agli eventi speciali a base di teatro e matematica, abbassare ulteriormente la soglia economica di ingresso per le scuole: tutto questo significa investire sul nuovo pubblico e su una prospettiva di società da rinnovare.
per ScenAperta: Maurizio Cozzi
Assessore alle Attività culturali del Comune di Legnano
| 1434 | 11/10/2010 20:45 | Italy Serie A | Brescia-Juventus | 2 | 1.87 | | | ||
| 1435 | 10/11/2010 20.45 | Italy Serie A | Cagliari-Napoli | X | 3.15 | | | ||
| 1436 | 10/11/2010 20.45 | Italy Serie A | Catania-Udinese | X2 DC | 1.49 | | | ||
| 1437 | 10/11/2010 20.45 | Italy Serie A | Cesena-Lazio | 2 | 2.2 | ||||
| 1438 | 11/10/2010 20:45 | Italy Serie A | Chievo-Bari | 1X DC | 1.24 | ||||
| 1439 | 10/11/2010 20:45 | Italy Serie A | Genoa-Bologna | 1 | 1.73 | ||||
| 1440 ; | 11/10/2010 20:45 | Italy Serie A | Lecce-Inter | 2 | 1.74 | ||||
| 1441 | 11/10/2010 20:45 | Italy Serie A Milan-Palermo | 1 | 1.6 | |||||
| 1442 | 10/11/2010 20:45 | Italy Serie A | Roma-Fiorentina | 1 | 1.83 | | | ||
| 1443 | 11/11/2010 20.45 | Italy Serie A | Parma-Sampdoria | X2 DC | 1.53 | | | |
NERVIANO – Martedì 9 novembre la conferenza di presentazione e subito dopo, domenica 14 novembre alle 21, il grande evento inaugurale della nuova stagione di ScenAperta. Si apre al Monastero degli Olivetani di Nerviano il cartellone 2010 2011 del circuito teatrale dell'Altomilanese: in scena uno degli spettacoli più signficativi e divertenti degli ultimi anni, “Romeo & Giulietta – Nati sotto contraria stella”. “I veri protagonisti del nostro spettacolo – spiega il regista Leo Muscato - non sono i personaggi dell’opera, ma sette vecchi comici girovaghi che si presentano al pubblico per interpretare La dolorosa storia di Giulietta e del suo Romeo. Sanno bene che è una storia che già tutti conoscono, ma loro sono intenzionati a raccontarla, osservando il più autentico spirito elisabettiano: sono tutti uomini e ognuno di loro interpreta più personaggi, anche quelli femminili! Il fatto è che di pari passo con le buone intenzioni, vanno their actual ability (or modes) of being on stage. Rivals and accomplices at the same time, first you steal jokes, help each other as best they can. " Not to be missed.
shines on the contrary, but the right side, the star of Leo Moss. His "Romeo and Juliet revisited, rewritten, played down is a small masterpiece, a show that is successful, boldly changing the order of its parts, to get the most Shakespearean of the results. The preparation of the young director, a member of the most interesting of the emerging generation, first place su solide basi storiche: un riferimento chiaro al teatro elisabettiano, interpretato da soli uomini, e la consapevolezza che i testi del cinquecento erano pre-testi sui quali veniva chiesto agli attori di improvvisare. E il caso di Shakespeare non faceva differenza. (…) un "Romeo e Giulietta" di rara fedeltà all'originale. Una fedeltà carica di onestà intellettuale e teatrale, una sincerità artistica che colloca questo nuovo lavoro di Leo Muscato tra le proposte più interessati dell'intera stagione teatrale italiana.
Paolo Bignamini, www.ilsole24ore.com
NERVIANO - Monastery of Olivetani
Sunday, November 14, 2010
Beginning at 21
Romeo & Juliet - Born otherwise under star
by William Shakespeare
with Ruggero Dondi,
Salvatore Landolina, Marco Gobetti,
Dario Buccino, Jordan Mancioppi
and with the extraordinary participation of Ernesto Mahieux
directed by Leo Moss
Leart 'theater
Admission € 12
7 € 21 subscription performances
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| 24-Oct | Genoa | Catania | 1 | 0 |
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| 24-Oct | Inter | Sampdoria | 1 | 0 |
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