Sullo schermo del pensiero, filosofia e cinema MILANO – Al via la seconda edizione the review "on the screen of thought" which will include five films together, this year, with meetings with intellectuals, artists, philosophers propose that a key to an unexpected and original film made.
The event is organized by the Centre culturel français de Milan (who host the event in its espace cinéma) and ScenAperta Altomilanese Theatres, a company specialized in the study of the relationship between philosophy, theater and cinema, and is supported by the Province of Milan.
First appointment Tuesday, October 26 with "La chambre verte" by Truffaut, followed by Avildsen films, Godard, Emilie Deleuze, Bertolucci. Each projection - in Agreement with the theme chosen by the authors of the project: Paul Bignamini, Mauro Carbone and Claudio Rozzoni - reflect on the relationship between the philosopher and filmmaker, when the figure of one is transformed into that of another.
"The philosopher and the director - to support in this regard Maurice Merleau-Ponty, quoted by Jean-Luc Godard - have in common a certain way of being, a certain worldview, which is that of a generation."
"Cinema and Philosophy - Novo says Umberto Maerna, Department of Culture of the Province of Milan - are often regarded as the moments of our lives in their own right. "On the screen of thought" has the merit of insisting on the ability of language cinematografico di 'farsi pensiero', evidenziando così come il cinema sia filosofia, e come la filosofia sia cinema, ovvero vita”.
“Questa iniziativa – aggiunge Olivier Descotes, direttore del Centre culturel français de Milan – prende le mosse da una riflessione sul cinema che vede il pensiero francese come elemento centrale e scatenante. Tuttavia, nel mescolare pellicole francesi, italiane e statunitensi, il programma della rassegna sa evidenziare l'universalità del messaggio filosofico quando si incontra con il cinema, e quando da questo incontro le discipline traggono reciproco nutrimento”.
Nel 1907 il filosofo francese Henri Bergson affermava che il cinema era “mera illusione motion. " Since then, the French philosophy - Sartre, Merleau-Ponty, Lyotard, Deleuze, then at the same
outside national borders - has been trying to find reasons to overturn that view, the film gradually recognizing the truth of his peculiarities of expression and the thought of spreading.
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The films are subtitled in the original version in Italian.
Admission € 4 - € 2 for students, members of the Centre and subscribers ScenAperta
This is the program:
mar 26 October 18:00 h
La chambre verte (1978) by François Truffaut
with François Truffaut, Nathalie Baye
followed by 15 minutes with Paul Bignamini
mixing anxiety and unrest, the film opens in the reflections on memory, mourning, forgetfulness, the cult of the dead.
mar 9 November 18:00 h
The Private War of citizen Joe (1970) by John G.
Avildsen
with Peter Boyle, Susan Sarandon
followed by 15 minutes with Paolo Fornara
Film ruthless drug addiction in an America struggling with the Vietnam War and the hippie movement
...
mar 16 November 18:00 h Deux ou trois
choses que je sais d'elle (1966) Jean-Luc Godard
with Marina Vlady, Anny Duperey
followed by 15 minutes with Simone Frangi
Two or Three Things I know about her can be seen as a culmination of the work godardiana. Against the backdrop of a Paris
beautiful and tragic, the life of Juliette, between his job as mother and wife and prostitution.
mar 23 November 18:00 h
Peau Neuve (1999) by Emilie Deleuze
with Samuel Le Bihan, Claire Nebout
followed by 15 minutes with Claudio Rozzoni
A disaffected youth decides to make a change in their lives ...
Thurs December 2 h 17:00
The Conformist (1970) by Bernardo Bertolucci
with Jean-Louis Trintignant, Stefania Sandrelli, Dominique Sanda
followed by 15 minutes by Mauro Carbone
Taken from novel by Alberto Moravia, The Conformist is a psychoanalytic portrait of fascism and a survey on the psychological needs of conformity that has engulfed many Italians
at that time.
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Centre culturel français de Milan
ScenAperta Altomilanese Theatres
with the support of the Province of Milan - Department of Culture
and with the collaboration of Mimesis
France - Maison d'édition
www.mimesisfrance.org
present on the screen of thought
from October 26 to December 2
espace cinéma the Centre culturel français de Milan Corso Magenta
63 - Milan
Admission € 4 - € 2 for students, members of the Centre and subscribers ScenAperta
Info: www.scenaperta.org - Tel 380.3524400 www.culturemilan.com
A project by: Paul
Bignamini
journalist, playwright and director, writes on the cultural pages of Il Sole 24 Ore.
E 'artistic director of the provincial theater circuit ScenAperta. Its theatrical release and its texts were represented in the major Italian theaters. He edited the first complete Italian version of The Trojan Women by Jean-Paul Sartre (Mimesis, 2005), the new version of Dirty Hands, Sartre always (Mimesis, 2010), Italian and editing The Dictionary of censorship in the cinema of Jean-Luc Douin (Mimesis, 2010).
E 'professor of drama at NABA - Nuova Accademia di Belle Arti di Milano.
Mauro Carbone
E 'Professor of Aesthetics at the Université Jean-Moulin-Lyon 3, the first Italian philosopher
to be directly appointed professor in France.
Specialist in contemporary French philosophy, the inspiration of its development in an autonomous theoretical elaboration. He directs the magazine
Chiasmi International
(Trilingual Studies Concerning the Thought of Merleau-Ponty) and the series The eye and the spirit to the editor Mimesis.
Claudio Rozzoni
He was awarded a PhD in Aesthetics and Theory of Art "at the University of Palermo. Since 2006 collaborates with the Chair of Contemporary Aesthetics, University of Milan,
with which he graduated. Among his recent publications: Remember
is created. The essence of the aesthetic of Marcel Proust's Recherche (Mimesis, 2008)
the young Proust and Signs. For a philosophical portrait of the future author of the Recherche (AlboVersorio, 2009).
