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Venezia: il Dizionario della censura nel cinema

VENICE - New showcase for "dictionary of censorship in the cinema" Jean-Luc Douin The book, edited by Mimesis and published in October in all libraries, is being presented for Italy during the Venice Film Festival. Speakers: Paul Bignamini editor of the volume and artistic director of the Italian circuit ScenAperta, the philosopher Massimo Donà and co-director of Mimesis, Luca Taddio,
The work represents a unique landscape in the bibliographic world: how to read or simply as a means of consultation, this dictionary, in which cases of censorship are told through the experience of actors, filmmakers, movies, nations, thematic tours, shows the multiplicity of a phenomenon that mutilates, cuts, catch, seize, burn, tyrannize, it kills. The entries range from censored titles like "Farewell My Concubine" and "Natural Born Killers," to filmmakers such as Bernardo Bertolucci and Pier Paolo Pasolini, through thematic tours such as "Posters" and "Pornography" to the great national cinemas (Italy, France, U.S. ...).
"On the one hand - the author writes in the introduction - there is state censorship, on the other, that of religion, a political party, the ruling caste, administration ... and the market. But the revolution, the abolition of censorship, might not pass the first by a revolt intimate, the capacity for every human being to operate in the secrecy of his consciousness, his "intimate conviction", his personal control commission? In this universe, whose murder is a crime and the description of the murder is not, in which love is not a crime but the description of love is, it's up to each viewer to determine the law as one of its inner riches and the proposal of 'reflection' outside represented by this delivery of images and sounds. "
"This dictionary - Bignamini Paul explains - clearly reflects the centrality of the author grants French film experience.
In due respect to this plant, have been updated and verified for the Italian reader, the items covered. The work also features an afterword unusual: it is a text - just moving from a French film crucial to the movie experience of the twentieth century, Hiroshima mon amour - reflects a new way of considering the complaint, with an approach that proves to open a way for aesthetic reflection. "

THURSDAY 'Sept. 2, at 17
Area Nastro Azzurro Club - Venice, Lido

Speakers: PAUL Bignamini editor of the book, the philosopher MASSIMO DONA'
the co-director of editorial Mimesis LUCA Taddia
for info +39 335 6813419

Jean-Luc Douin
DICTIONARY OF COMPLAINT IN CINEMA FILM
ALL SCISSORS CUT FROM THE CENSOR IN WORLD HISTORY OF BIG SCREEN
Italian version by Paul Bignamini
Ed Mimesis - www.mimesisedizioni.it

Jean-Luc Douin was to Combat reporter, editor Télérama cinema, books, bureau chief at Le Monde, where he is currently a film critic.
In 2007 he made his debut in fiction for her novel Le premier sommeil.

Paul Bignamini, journalist, playwright and director, writes on the cultural pages of Il Sole 24 Ore. Its theatrical release and its texts were represented nei più importanti teatri italiani. Per Mimesis ha tradotto e curato le edizioni italiane de Le Troiane e de Le mani sporche di Jean-Paul Sartre.