Event "Malamore" in Bresso and Cardano
BRESSO e CARDANO AL CAMPO - "Malamore", l'attesissimo spettacolo interpretato da Lucrezia Lante Della Rovere e scritto da Concita De Gregorio sarà in scena mercoledì 16 febbraio a Bresso (MI) e giovedì 17 febbraio a Cardano al Campo (VA).
Un’autrice di forte impegno sociale e un’attrice di grande eleganza insieme per raccontare la condizione femminile in un presente ancora così poco vicino all’”altra metà del cielo”.
“Le donne hanno più confidenza con il dolore. E’ un compagno di vita, è un nemico tanto familiare. Da essere quasi amico. Ci si convive, è normale. Strillare disperde le energie, lamentarsi non serve. Trasformarlo, invece: ecco cosa serve. Trasformare il dolore in forza. Le storie raccolte sono scie luminose, stelle cadenti che illuminano a volte molto da lontano una grande domanda: What causes us not to reject, even to live with the violence? Why tolerate those who take it, and how does it do? How high the stakes? Some succumb, die many, many share a life with private, unspeakable, daily penance. Some to do it '.
BRESSO - Civic Center Pertini
WEDNESDAY February 16, 2011
Cardano Al Campo - IMAX Auditorium
THURSDAY February 17, 2011 Beginning at 21
Malamore
Conchita De Gregorio
with Lucrezia Lante Della Rovere
Tieffe Theatre
Admission € 12
Subscription 21 € 7 shows
Monday, February 14, 2011
Monday, February 7, 2011
Federal Concealed Weapons Permit
The Betrothed to the test , Testori in Legnano
Legnano - Tuesday, February 8 to 21, the big event of the inaugural season of ScenAperta Class. At La Galleria di Legnano, staged "The Betrothed to the test" by Giovanni Testori, directed by Federico Tiezzi.
On a makeshift stage, it must be supposed in some neighborhood not exactly "good" in Milan, a Master, the old comedian, is anxious to play to a group of comedians that nothing shabby Manzoni's masterpiece. So start
"I promesa married to the test", with text that in 1984 Giovanni Testori, after rewrites by Shakespeare and Sophocles, this comes to its inevitable finish. Main interest is to make del romanzo uno "specchio" in cui riflettere i suoi "anni tribolatissimi" che, a ben vedere, sono anche i nostri. Quante pesti ci affliggono! quella del degrado dell'ambiente, dell'indurimento dei cuori, dell'omologazione delle coscienze, dell’allontanamento graduale dalla realtà, dell'incapacità di vedere la trasformabilità della società.
Soprattutto la peste della chiusura alla diversità, alla comunicazione, al mondo.
Ed è al desiderio di aprire gli occhi sulla realtà (e con lo strumento dell’umorismo manzoniano) che gli interventi testoriani si appigliano per dissezionare i nuclei narrativi originari e ricomporli in parabole insieme sceniche e morali. A differenza delle sue reinvenzioni Shakespearean, even from the title indicated by a linguistic distortion (The Ambleto, Macbeth), and in this case remains intact, as if intangible, the formula Manzoni, and there you just add the specification: "the test". In these two words is not only an indication that the novel will be pushed into the territory of the theater, but across the immensity of the whole work, and perhaps the whole life, Testori: verification of their loves, their passions human and cultural, "test" ...
Moreover, the "test" is, in every sense, the heart of the work as a director, in the double sense of "put into evidence" the feasibility of a theatrical text or any stage of a hypothesis, and "verify" his estate in a historical situation changed. And this premise is based on the work of Tiezzi, not an explanation of the novel but, as he wished Testori, a "lesson and a warning" The Betrothed because they are "the novel of history, and the people in this story embodies the absolute freedom ". In a structure similar to that of Pirandello's Six Characters in Search of an Author, on a bare stage, there is the evidence of a "comedy to be done" where the themes of reflection on the theater and its communication behavior, mix together the great grounds Manzoni's mercy, grace, evil and death, of Providence and salvation. Don Abbondio, Renzo, Lucia, from Christopher, the Unnamed, Don Rodrigo returned to us through the body and the voice of the protagonists of 'evidence' in a mixture of shares and a vivid theatrical roles.
With this show deals with Testori Tiezzi and Manzoni, to say a word, not rhetoric but also that it starts from below, from the humble, the disinherited, those who identify their lives with respect for others, the world and history - a word on the sesquicentennial anniversary of Italian unity, that unity which Manzoni helped to create in terms of linguistic and literary, engaging in the Tuscan tradition of Lombardy. Units of language as a unity of a nation: culture is not something separate from history but also determines it. In
teatrografia Federico Tiezzi, Betrothed to test these to make up a perfect diptych with Simon Boccanegra recently directed at the Staatsoper in Berlin and then at La Scala: Verdi and Manzoni have contributed by "artists", and why no other artist, the unity of the nation.
enters into force, as of this date, the Convention between ScenAperta and the exhibition of Rodin - the origins of genius:
case presenting the ticket to the exhibition you will be entitled to reduced tickets on places of stalls and armchair (25 at 20 €, from 20 to 16 €).
LEGNANO - Theatre Gallery
TUESDAY 'February 8, 2011 Beginning at 21
The Betrothed TO TEST
by Giovanni Testori
directed by Federico Tiezzi
with:
Master / Sandro Lombardi
The actor who does Renzo / Frank Colella
The actress makes Lucia / Debora Zuin
The actress who is Agnes, Marion D'Hamburg
The actress who does Perpetua / Caterina Simonelli
The actor who does Egidio / Alessandro Schiavo
The actor who does Don Rodrigo / Massimo Greenish
The actress is Gertrude / Iaia Forte
scenes Pier Paolo Bisleri
costumes Giovanna Buzzi
lights Gianni Pollini
Metastasio Theatre - Stable in Tuscany, Teatro Stabile di Torino, Sandro Company Lombardi
Ingresso:
poltronissima 25 euro
poltrona 20 euro
seconda galleria 16 euro
Abbonamento 5 spettacoli:
poltronissima 90 euro
poltrona 75 euro
seconda galleria 60 euro
info:
tel. 0331-548589
info@scenaperta.org
Legnano - Tuesday, February 8 to 21, the big event of the inaugural season of ScenAperta Class. At La Galleria di Legnano, staged "The Betrothed to the test" by Giovanni Testori, directed by Federico Tiezzi.
On a makeshift stage, it must be supposed in some neighborhood not exactly "good" in Milan, a Master, the old comedian, is anxious to play to a group of comedians that nothing shabby Manzoni's masterpiece. So start
"I promesa married to the test", with text that in 1984 Giovanni Testori, after rewrites by Shakespeare and Sophocles, this comes to its inevitable finish. Main interest is to make del romanzo uno "specchio" in cui riflettere i suoi "anni tribolatissimi" che, a ben vedere, sono anche i nostri. Quante pesti ci affliggono! quella del degrado dell'ambiente, dell'indurimento dei cuori, dell'omologazione delle coscienze, dell’allontanamento graduale dalla realtà, dell'incapacità di vedere la trasformabilità della società.
Soprattutto la peste della chiusura alla diversità, alla comunicazione, al mondo.
Ed è al desiderio di aprire gli occhi sulla realtà (e con lo strumento dell’umorismo manzoniano) che gli interventi testoriani si appigliano per dissezionare i nuclei narrativi originari e ricomporli in parabole insieme sceniche e morali. A differenza delle sue reinvenzioni Shakespearean, even from the title indicated by a linguistic distortion (The Ambleto, Macbeth), and in this case remains intact, as if intangible, the formula Manzoni, and there you just add the specification: "the test". In these two words is not only an indication that the novel will be pushed into the territory of the theater, but across the immensity of the whole work, and perhaps the whole life, Testori: verification of their loves, their passions human and cultural, "test" ...
Moreover, the "test" is, in every sense, the heart of the work as a director, in the double sense of "put into evidence" the feasibility of a theatrical text or any stage of a hypothesis, and "verify" his estate in a historical situation changed. And this premise is based on the work of Tiezzi, not an explanation of the novel but, as he wished Testori, a "lesson and a warning" The Betrothed because they are "the novel of history, and the people in this story embodies the absolute freedom ". In a structure similar to that of Pirandello's Six Characters in Search of an Author, on a bare stage, there is the evidence of a "comedy to be done" where the themes of reflection on the theater and its communication behavior, mix together the great grounds Manzoni's mercy, grace, evil and death, of Providence and salvation. Don Abbondio, Renzo, Lucia, from Christopher, the Unnamed, Don Rodrigo returned to us through the body and the voice of the protagonists of 'evidence' in a mixture of shares and a vivid theatrical roles.
With this show deals with Testori Tiezzi and Manzoni, to say a word, not rhetoric but also that it starts from below, from the humble, the disinherited, those who identify their lives with respect for others, the world and history - a word on the sesquicentennial anniversary of Italian unity, that unity which Manzoni helped to create in terms of linguistic and literary, engaging in the Tuscan tradition of Lombardy. Units of language as a unity of a nation: culture is not something separate from history but also determines it. In
teatrografia Federico Tiezzi, Betrothed to test these to make up a perfect diptych with Simon Boccanegra recently directed at the Staatsoper in Berlin and then at La Scala: Verdi and Manzoni have contributed by "artists", and why no other artist, the unity of the nation.
enters into force, as of this date, the Convention between ScenAperta and the exhibition of Rodin - the origins of genius:
case presenting the ticket to the exhibition you will be entitled to reduced tickets on places of stalls and armchair (25 at 20 €, from 20 to 16 €).
LEGNANO - Theatre Gallery
TUESDAY 'February 8, 2011 Beginning at 21
The Betrothed TO TEST
by Giovanni Testori
directed by Federico Tiezzi
with:
Master / Sandro Lombardi
The actor who does Renzo / Frank Colella
The actress makes Lucia / Debora Zuin
The actress who is Agnes, Marion D'Hamburg
The actress who does Perpetua / Caterina Simonelli
The actor who does Egidio / Alessandro Schiavo
The actor who does Don Rodrigo / Massimo Greenish
The actress is Gertrude / Iaia Forte
scenes Pier Paolo Bisleri
costumes Giovanna Buzzi
lights Gianni Pollini
Metastasio Theatre - Stable in Tuscany, Teatro Stabile di Torino, Sandro Company Lombardi
Ingresso:
poltronissima 25 euro
poltrona 20 euro
seconda galleria 16 euro
Abbonamento 5 spettacoli:
poltronissima 90 euro
poltrona 75 euro
seconda galleria 60 euro
info:
tel. 0331-548589
info@scenaperta.org
Thursday, February 3, 2011
Friday, January 21, 2011
Insurance For Brickmasonary
day event in memory of Cardano
CARDANO AL CAMPO - Domenica 23 gennaio, presso il CineteatroAuditorium di Cardano al Campo, la Compagnia Pacta . dei Teatri metterà in scena lo spettacolo "7 bambine ebree, Far Away".
L’autrice inglese Caryl Churchill è una delle figure più originali e innovative del teatro contemporaneo, distinguendosi per varietà d’interessi, comicità, ironia, political commitment and above all an uncommon quality prophetic. In the show, which includes the play Far Away (Far away) preceded by a short piece 7 Jewish children, the common theme is the absurdity of war el'insensatezza. In 7
Jewish children, written in 2009 after an Israeli military campaign in Gaza, seven adults suggest what to say and what not to say, seven Jewish children of different ages. It 's a historical journey of a people, the condition of the victim to aggression. From the 'Holocaust of Gaza to the facts, the author focuses his attention on the confusion that permeates the Jewish identity. Certainly in its final outcome is an indictment, but against war and oppression, and calculate the interest and, above all, has the advantage of highlighting the contradictions and fluctuations of consciousness of a people. But who is the innocent child, that "she" hidden which is discussed in each line of this' work?
FAR AWAY, written in 2000 in anticipation of the climate of the post September 11, is based on the assumption of a world in which everything in nature is at war. It is actually a corrupt and despotic where senseless and bizarre things happen: the outrage and violence are considered normal, we can not trust anyone (not even their relatives), crocodiles - and even "Bambi" - are considered evil beings and "cats have allied themselves with the French." In reality, the objective of Churchill is to represent our current situation which requires putting aside the old idea of \u200b\u200b'distance', whereby people tend to underestimate or even pretend not to see what is perceived as "far" and "distant." The inability to see and the lack of sense of responsibility are well intended to produce chaos and, therefore, a state of imminent global conflict. Among the many issues stand out here evoked the Holocaust, ethnic cleansing, the damage of totalitarianism, environmentalism, and, finally, the brutality individual in daily life. In the final part of this amazing play, the three characters find themselves caught in a huge conflict with the participation of all creatures on the planet, including the natural elements: humans, animals, plants, rivers and even the weather.
Cardano Al Campo - CineteatroAuditorium
Sunday, January 23, 2011 Beginning at 21
seven Jewish children
Far Away by Caryl Churchill
translations Masolino D'Amico and Nancy Tierney
with Maria Eugenia D'Aquino, Richard Magherini, director Annig
Annig Raimondi Raimondi
Pacta. Theatres of
EVENT - MEMORIAL DAY
Ingresso 12 euro
Abbonamento 7 spettacoli 21 euro
CARDANO AL CAMPO - Domenica 23 gennaio, presso il CineteatroAuditorium di Cardano al Campo, la Compagnia Pacta . dei Teatri metterà in scena lo spettacolo "7 bambine ebree, Far Away".
L’autrice inglese Caryl Churchill è una delle figure più originali e innovative del teatro contemporaneo, distinguendosi per varietà d’interessi, comicità, ironia, political commitment and above all an uncommon quality prophetic. In the show, which includes the play Far Away (Far away) preceded by a short piece 7 Jewish children, the common theme is the absurdity of war el'insensatezza. In 7
Jewish children, written in 2009 after an Israeli military campaign in Gaza, seven adults suggest what to say and what not to say, seven Jewish children of different ages. It 's a historical journey of a people, the condition of the victim to aggression. From the 'Holocaust of Gaza to the facts, the author focuses his attention on the confusion that permeates the Jewish identity. Certainly in its final outcome is an indictment, but against war and oppression, and calculate the interest and, above all, has the advantage of highlighting the contradictions and fluctuations of consciousness of a people. But who is the innocent child, that "she" hidden which is discussed in each line of this' work?
FAR AWAY, written in 2000 in anticipation of the climate of the post September 11, is based on the assumption of a world in which everything in nature is at war. It is actually a corrupt and despotic where senseless and bizarre things happen: the outrage and violence are considered normal, we can not trust anyone (not even their relatives), crocodiles - and even "Bambi" - are considered evil beings and "cats have allied themselves with the French." In reality, the objective of Churchill is to represent our current situation which requires putting aside the old idea of \u200b\u200b'distance', whereby people tend to underestimate or even pretend not to see what is perceived as "far" and "distant." The inability to see and the lack of sense of responsibility are well intended to produce chaos and, therefore, a state of imminent global conflict. Among the many issues stand out here evoked the Holocaust, ethnic cleansing, the damage of totalitarianism, environmentalism, and, finally, the brutality individual in daily life. In the final part of this amazing play, the three characters find themselves caught in a huge conflict with the participation of all creatures on the planet, including the natural elements: humans, animals, plants, rivers and even the weather.
Cardano Al Campo - CineteatroAuditorium
Sunday, January 23, 2011 Beginning at 21
seven Jewish children
Far Away by Caryl Churchill
translations Masolino D'Amico and Nancy Tierney
with Maria Eugenia D'Aquino, Richard Magherini, director Annig
Annig Raimondi Raimondi
Pacta. Theatres of
EVENT - MEMORIAL DAY
Ingresso 12 euro
Abbonamento 7 spettacoli 21 euro
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