Monday, September 27, 2010
Spectrobes Origins Ocarina
Cristo da Pilato, copia dal vero di statua di Gaudenzio Ferrari, Elena Nassi
What's the buzz?
Tell me what's happening
What's happening?
So this is Jesus Christ. You look so small, not a king at all
An amazing thing this silent king. Since you come from Galilee then you nedd not to come to me, you're an Herod's case!
So you are the Christ, you're the great Jesus Christ, prove to me that you're divine, change my water into wine!
Hey! Aren't you scared of me Christ? Mr. Wonderful Christ! You're a joke, you're not the lord! Get out of, get out of, get out of my life!
And so the king is once again my guest. Talk to me Jesus Christ
You've been brought here - beaten by your own people
Where is your kingdon?
You're a fool Jesus Christ
How can you stay quite?
Why do not you speak When I hold your life in my hands? Both
safe to abandon the sneer, the authorities
loud, eh! But still showing
Ah, but the silent prisoner
You will be entrusted to His Father?
However
should lose his temper, I will not judge you, king dumb! What are you doing here with me?
Out of my life!
(Revision of some excerpts from Jesus Christ Superstar, the court presentation of the Sacred Mountain of Varallo, Francesca Iorio and Elena Nassi)
Sunday, September 19, 2010
Manual Trash Compactor
Le stagioni, Tschaikowsky/Verlaine a Legnano
LEGNANO - In attesa della nuova stagione di ScenAperta, che verrà presentata a metà ottobre, gustoso "aperitivo teatrale" al Teatro Sala Ratti, dove venerdì 24 settembre andrà in scena il recital "Le Stagioni".
L'evento è inserito nel cartellone di "Fai il pieno of culture ", an initiative of the Lombardy Region, Province and Municipality of Milan in Legnano. This is a play directed by Paul Bignamini recital, played by Maureen Cerana solo voice and piano George Fasching, built on Verlaine's lyrics and music by Tchaikovsky.
Here is a small refreshment.
Pyotr Iljitsch Tschaikowsky (1840-1893) wrote "The Seasons" between December 1875 and November 1876 commissioned by the magazine Nouvelliste: every month for a year, he had to compose and send to the editorial staff of San Petersburg a piece for solo piano plucked that, under a system of months, in an ever changing landscape and human activities, those "impressions" of the soul, emotional reflection that every month of the year brings with it. The result is 12
impressionistic sketches, formally smooth and pleasing, now bright, now languid, sad and filled with hope, creating a sort of pictorial cycle of the soul in music ...
contemporary of Tchaikovsky, Paul Verlaine (1844-1896) was the most musical of the "cursed poets". "Music before all else", he argued, coming to call "musically" some significant collections of poetry: "Good Song", "Songs without words", "Arlette forget." A poetic language, that of Verlaine, in which the melodiousness dares to match the word in its conceptual weight.
The similarities between the two Masters have allowed the reconstruction of a common narrative, giving a voice to the music, poetry and music. One chansonnier dall'inquietante prosenza leads the audience to the places of the mind evoked by Verlaine, while the background is the reflection on the "lost time", whose research is admirably materialized years later with the work of Marcel Proust . Just
la Recherche, in this production, acts as a narrative link, through pictures and songs cinemtografici able to combine music and poetry.
PAUL Bignamini
Journalist, playwright and director, writes on the cultural pages of Il Sole 24 Ore. And 'the Italian translator of plays, Sartre, Céline, Artaud, De Beauvoir. His lyrics and his versions were represented in the major Italian theaters. MAURO
CERAN
He graduated from the school of the Piccolo Teatro of Milan, after participating in the staging of "The Tempest" by Shakespeare, the 'Servant of Two Masters "by Goldoni and of" The Thunder "by Strindberg, for directed by Giorgio Strehler. E 'editor and literary agent. GIORGIO
Fasciola
He played the complete works for organ by JS Bach on the piano, leading lieder cycles. The activity of those alternates solo composer and conductor.
::::::
September 24, 2010 - 21 hours
"Make the most of the cultural"
Province of Milan - Legnano City Hall Theatre
Ratti
c.so Magenta, 9 - Legnano (MI)
"The Seasons"
Iljitsch Pyotr Tchaikovsky "The Seasons"
Paul Verlaine "Lyrical"
version Italian Paolo Mauro Bignamini
with
Cerana narrator
George Fasching piano
dramaturgy and direction by Paul Bignamini
by ScenAperta Altomilanese Theatres
Followed by reception with French wines - free admission
Infotel. 0331.548589
LEGNANO - In attesa della nuova stagione di ScenAperta, che verrà presentata a metà ottobre, gustoso "aperitivo teatrale" al Teatro Sala Ratti, dove venerdì 24 settembre andrà in scena il recital "Le Stagioni".
L'evento è inserito nel cartellone di "Fai il pieno of culture ", an initiative of the Lombardy Region, Province and Municipality of Milan in Legnano. This is a play directed by Paul Bignamini recital, played by Maureen Cerana solo voice and piano George Fasching, built on Verlaine's lyrics and music by Tchaikovsky.
Here is a small refreshment.
Pyotr Iljitsch Tschaikowsky (1840-1893) wrote "The Seasons" between December 1875 and November 1876 commissioned by the magazine Nouvelliste: every month for a year, he had to compose and send to the editorial staff of San Petersburg a piece for solo piano plucked that, under a system of months, in an ever changing landscape and human activities, those "impressions" of the soul, emotional reflection that every month of the year brings with it. The result is 12
impressionistic sketches, formally smooth and pleasing, now bright, now languid, sad and filled with hope, creating a sort of pictorial cycle of the soul in music ...
contemporary of Tchaikovsky, Paul Verlaine (1844-1896) was the most musical of the "cursed poets". "Music before all else", he argued, coming to call "musically" some significant collections of poetry: "Good Song", "Songs without words", "Arlette forget." A poetic language, that of Verlaine, in which the melodiousness dares to match the word in its conceptual weight.
The similarities between the two Masters have allowed the reconstruction of a common narrative, giving a voice to the music, poetry and music. One chansonnier dall'inquietante prosenza leads the audience to the places of the mind evoked by Verlaine, while the background is the reflection on the "lost time", whose research is admirably materialized years later with the work of Marcel Proust . Just
la Recherche, in this production, acts as a narrative link, through pictures and songs cinemtografici able to combine music and poetry.
PAUL Bignamini
Journalist, playwright and director, writes on the cultural pages of Il Sole 24 Ore. And 'the Italian translator of plays, Sartre, Céline, Artaud, De Beauvoir. His lyrics and his versions were represented in the major Italian theaters. MAURO
CERAN
He graduated from the school of the Piccolo Teatro of Milan, after participating in the staging of "The Tempest" by Shakespeare, the 'Servant of Two Masters "by Goldoni and of" The Thunder "by Strindberg, for directed by Giorgio Strehler. E 'editor and literary agent. GIORGIO
Fasciola
He played the complete works for organ by JS Bach on the piano, leading lieder cycles. The activity of those alternates solo composer and conductor.
::::::
September 24, 2010 - 21 hours
"Make the most of the cultural"
Province of Milan - Legnano City Hall Theatre
Ratti
c.so Magenta, 9 - Legnano (MI)
"The Seasons"
Iljitsch Pyotr Tchaikovsky "The Seasons"
Paul Verlaine "Lyrical"
version Italian Paolo Mauro Bignamini
with
Cerana narrator
George Fasching piano
dramaturgy and direction by Paul Bignamini
by ScenAperta Altomilanese Theatres
Followed by reception with French wines - free admission
Infotel. 0331.548589
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